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For producers, marketers & course teams

How long will my voice over run? (words per minute, with a script timer)

The short answer

Most voice over runs at about 150 words a minute. A 30-second ad fits roughly 65 to 75 words, a 60-second ad about 130 to 150, and an e-learning module about 130 words for every minute of narration. Slower, calmer reads fit fewer words. Paste your script into the timer below to see how long it will run at three speeds.

“Will this fit in 30 seconds?” is one of the questions I get most. It matters because a script that’s too long gets rushed, and a rushed read sounds like a rushed read. It’s much easier to cut ten words before the session than to ask a voice actor to squeeze them in.

Script timer

Paste your script. It stays in your browser and isn’t sent anywhere.

PaceGood forRun time
Calm (130 wpm)E-learning, medical, luxury0:00
Natural (150 wpm)Explainers, most narration0:00
Brisk (170 wpm)Retail ads, upbeat promos0:00

0 words

1. The rule of thumb

Most professional reads land somewhere between 130 and 170 words a minute. 150 is a good middle to plan with. Where your script lands depends on what it is and who it’s for.

LengthAbout this many wordsTypical use
15 seconds30 to 40Pre-roll ads, short social spots
30 seconds65 to 75Standard TV and radio spot
60 seconds130 to 150Radio spot, short explainer
2 minutes260 to 300Explainer or company video
10 minutes1,300 to 1,500One e-learning module
1 finished hourAbout 9,300Audiobook (ACX, Audible’s production site, uses 9,300)

2. Why some scripts need fewer words

  • Ads with music or sound effects. A 30-second TV spot often has a logo, a jingle or a pause at the end. Leave two to three seconds free and the read won’t feel squeezed. A spot with two voices trading lines fits fewer words too, closer to 65 than 75.
  • Calm or premium brands. A luxury car spot or a hospital video sounds better slow. Plan on 130 words a minute or less.
  • Training and e-learning. Learners need time to take it in, and the screen often has to keep up with the voice. 130 to 140 words a minute is safer than 150.
  • Phone systems. Callers are listening on a phone line, often while doing something else. A steady, unhurried pace helps them catch the options. My phone script examples show how short each prompt can be.
Hear the pace · 1:06
My commercial demo

Spots of different lengths, read at their natural speed. More on my commercial page.

3. Lengths by type of project

Ads are easy to plan because the slot is fixed. Other projects have a length that just works best. These are the ranges I see most often.

ProjectUsual lengthAbout this many words
6-second bumper ad6 seconds12 to 15
Podcast intro10 to 20 seconds25 to 50
Phone greetingUnder 15 secondsUp to 35
Product or app explainer60 to 90 seconds150 to 225
Company or recruiting video2 to 3 minutes300 to 450
Movie or game trailer1 to 2 minutesOften under 100, with long pauses

Trailers are the odd one out. Most of a trailer is music and picture, and the voice only comes in for a few lines. Count the lines, not the minutes.

4. What counts as a word

Word counts are a guide, not a stopwatch. A few things take longer to say than they look on the page:

  • Numbers. “$1,249.99” is one word on screen and about eight out loud. Write numbers the way you want them read.
  • Web addresses and phone numbers. These are read slowly so people can catch them. Give each one an extra two or three seconds.
  • Legal lines. Disclaimers can be read faster, but only so fast before they stop making sense.
  • Names and technical terms. Long product names and medical words slow any read down.

5. If your script is too long

  1. Cut the warm-up. “Are you looking for…” and “Here at [Company], we believe…” can usually go.
  2. Keep one message. A 30-second spot has room for one main point and a call to action, not three features.
  3. Move details to the screen. The address, the fine print and the full list of services can be on screen without being read.
  4. Read it out loud at a comfortable pace. Time yourself with a phone. If you have to rush, it’s too long.

6. Timing a read to video

If the video is already cut, the voice has to fit the picture, not just a total time. A line about the new kitchen needs to land while the kitchen is on screen. There are three easy ways to make that happen:

  • Send the video. Even a rough cut with a watermark is fine. I can watch it while I record and fit each line to its shot.
  • Send time codes. A note like “line 3 starts at 0:12 and must end by 0:18” works just as well.
  • Ask for room to edit. If the video isn’t cut yet, I can leave a clean pause between lines so your editor can move them around.

7. How to give your voice actor a timing note

A clear timing note saves a revision. Pick the one that fits your project:

  • “Must be exactly 30 seconds.” For broadcast slots. I’ll deliver a read that comes in just under, often 29.5 seconds, so it never runs over.
  • “Between 55 and 60 seconds.” For online ads and videos with a little give.
  • “Natural pace, no target.” For training, phone lines and explainers where the edit will follow the voice.

If you’re not sure, say what the audio is for and where it will play. I’ll suggest a pace, and I can send two takes at different speeds so you can choose.

What you get from me

Send me your script and the length it has to hit. If it won’t fit at a natural pace, I’ll tell you before we record and suggest where to trim. I can also record it to an exact time, like a 29.5-second read for a 30-second slot. Most jobs are delivered in under 24 hours, and you get one free revision of up to 50 words, plus pickups.

Quick questions

How many words is a 30-second voice over?

About 65 to 75 words for a natural read. Use fewer if the ad has music, a logo or a pause at the end.

How many words is a 60-second voice over?

About 130 to 150 words. Plan on the lower end if the read should feel calm or premium.

How many words per minute is e-learning narration?

About 130 to 140, slightly slower than an ad, so learners can keep up.

Can you read faster to make it fit?

A little. If a script needs a big speed-up, a small trim almost always sounds better. I’ll tell you which.

Script timed and ready?

Send it over with the length it needs to hit. You’ll get a free quote.

More guides: Hiring an e-learning voice actor · Phone script examples · All guides for buyers